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Start a Story from a Blurb

Look at the back blurb of any novel, especially a commercial genre novel. The story usually breaks down into a simple setup like this:

A character wants something, and they need to figure out how to accomplish their goal. But they have to overcome obstacles if they are going to succeed before something bad happens.

Go take a look at a bunch of novels in your genre, and you’ll see a pattern.

 

You can use this blurb format to create a simple outline for your novel. Following this pattern, you can lay out all the elements that you need for a successful story before you even start writing.

 

The structure’s so effective because it creates tension and conflict, which are essential for an interesting story. 

 

We can break this setup down into four aspects: 

  • wants and needs (a character wants something)
  • decisions and consequences (they need to figure out how to accomplish their goal)
  • opposition and resistance (they have to overcome obstacles)
  • stakes and urgency (they need to succeed before something bad happens)

We’ll look at each of them individually using the story of The Little Mermaid.

 

(The live-action version of The Little Mermaid is coming out soon, and I’m super excited!)

The statue of the Little Mermaid from Hans Christian Andersen's hometown of Copenhagen.
The statue of the Little Mermaid in Copenhagen, Denmark.

Wants and Needs

The main character's wants and needs—also called goals—can be external or internal.

External goals are things outside of the main character that they are pursuing. They could want to marry a prince, get a promotion, or find their father’s murderer.

 

Internal goals are ones that are centered on the character’s feelings, backstory, or personality—for example, making their father proud or seeking adventure. 

 

A lot of times, the other characters in the story don’t know about internal goals; sometimes even the main character is in the dark, too!

In the story of The Little Mermaid, her external goal is that she wants to marry the prince and live on land.

 

The Little Mermaid’s internal goal is the same as a lot of young adult characters: she wants to be seen as an adult, make her own decisions, and find a place she fits in.

A story character’s wants and needs drive the story forward. They can be internal or external, but they are necessary in order to push the story along. Without goals that the character is striving toward, a story would simply stagnate because there’s no conflict or stakes. 

 

Can you see how a character’s goals are essential in moving the story forward and creating suspenseful moments for readers?

 

Each action propels the story, and the reader becomes more invested in the character’s journey.

 

Those goals create opportunities for the main character to make decisions and suffer the consequences of those decisions, and that’s what makes the story.

Decisions and Consequences

As they are actively pursuing their wants and needs, a strong protagonist makes decisions and faces the consequences.

Through their decisions, the character always directs the story; it’s a lot less interesting when the story seems to happen to the character. 

 

When the author puts the main character in difficult situations, they have to make decisions to overcome the situations. It’s fascinating to see how they react under pressure and what choices they ultimately make. This is what creates tension and keeps readers engaged.

 

Characters become more relatable and human when they have to suffer the repercussions of their choices. We all make mistakes and have to suffer the consequences at some point; it’s part of what makes us who we are. 

 

And, of course, it’s satisfying when they triumph in the end.

In The Little Mermaid, the main character takes control of her life from the beginning.

  • She chooses to rescue the prince and then accepts the consequences of that when she argues with her father.
  • She goes in search of the Sea Witch.
  • She bargains away her voice.
  • She follows the prince onto the land, all because she is chasing after her goal of finding a place where she fits in.

 

You can see how the consequences of her decisions are steering the story.

Choosing to rescue the shipwrecked prince is the big decision that The Little Mermaid makes.

Opposition and Resistance

The most interesting stories are those where the characters face opposition and resistance as they go after their goals.

What’s the fun of reading about a person who gets everything they want? It’s more rewarding to see a character work hard for something and eventually overcome their obstacles.

 

Sometimes the character faces opposition that comes from outside of them. If their wants and needs are external, like becoming top of their class, then the opposition will be external, too. For instance, there’s a classmate that always gets perfect test scores.

 

There could be internal resistance to the character’s goal, too. An example might be a character who wants to fall in love, but they have internal resistance because their parents divorced and they believe that love won’t last.

 

What makes a story truly compelling is watching a character grow and change as they struggle against adversity.

In The Little Mermaid, there are several forms of opposition.

  • The mermaid’s father starts out as her first stumbling block as she pursues her goals.
  • Externally, the lack of a voice is obstructing her.
  • Internally, the fact that she knows so little about the world holds her back.
  • At the end of the story, the sea witch is the major opposition.

 

Overcoming these obstacles gives the story forward momentum and leads to a satisfying ending. It always feels good to see someone come out on top after facing difficult odds.

Eventually, the Little Mermaid lives happily ever after!

Stakes and Urgency

For a novel that keeps the reader turning the pages, you need high stakes and urgency.

From early in the story, the author introduces a problem or conflict that needs to be resolved. As the story progresses, the stakes gradually get higher and higher, until reaching a climax where everything is at risk.

 

Imagine a murder mystery: the sleuth starts out investigating a murder; the stakes are raised when someone important to the sleuth is accused of the crime; they go up again when someone new dies; at the peak, the villain may actually attack the sleuth! The way the tension builds keeps the reader engaged and invested in finding out what happens next.

 

Besides high stakes, novels often have a ticking clock element, where time is running out to save the day.

 

This could be literal, like a race against an impending natural disaster.

 

Or a figurative ticking clock, like falling in love with someone who will leave at the end of the summer.

 

Literal or figurative, that countdown  adds another layer of excitement to your story. 

The stakes in The Little Mermaid get higher and higher as the story goes.

  • First, she will turn back into a mermaid and lose everything if the prince doesn’t kiss her.
  • Then, the sea witch uses her powers to seduce the prince, which makes the task more difficult.
  • Finally, the sea witch attacks directly, and that puts the entire kingdom of the sea at risk.
  • There is also a ticking clock element—the Little Mermaid must get her kiss by the deadline—to add another layer of urgency.

In conclusion, the blurb-based story structure is a great place to start building your story. It gives you a solid overview of all the elements that create the tension and conflict essential to a good story.

If it makes a good blurb, it will make a good book.

Without these four aspects of that story structure—wants and needs; decisions and consequences; opposition and resistance; and stakes and urgency—the story would be uninteresting.

 

The story of The Little Mermaid is a great example of how these elements work together to push the story forward and keep the reader engaged until the last page.

5 Responses

  1. Very informative! This helps me see this in a different way. So often I’ve had thoughts of writing a book but then I get stuck not knowing where to start. Thanks for giving me direction.

  2. I never know there is a proper structure in writing novel. Thanks for this that I learnt more about it. Gonna try to use this info learnt to explore whether I can write novel or not. Perhaps it will be my new interest then. Cheers Siennylovesdrawing

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Hi, I'm Tamara

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